{"id":1899,"date":"2015-12-22T20:59:44","date_gmt":"2015-12-22T19:59:44","guid":{"rendered":"https:\/\/www.gr-cultural.com\/catalogue.etac\/raphael-emine\/"},"modified":"2016-08-22T15:10:35","modified_gmt":"2016-08-22T13:10:35","slug":"raphael-emine","status":"publish","type":"post","link":"https:\/\/www.gr-cultural.com\/catalogue.etac\/raphael-emine\/","title":{"rendered":"<b>Raphael Emine<\/b><br>2014-2015"},"content":{"rendered":"[vc_row][vc_column offset=&#8221;vc_col-lg-12 vc_col-md-12 vc_col-xs-12&#8243;][vc_single_image image=&#8221;1710&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; el_class=&#8221;jennis-imatges&#8221;]<div id=\"modal-trg-txt-wrap-1604\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin    \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-1604 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:rgba(255,255,255,0.01);border-color:rgba(255,255,255,0.01);color:#003882; \" data-class-id=\"content-6a0b05facca019-38077669\" class=\"btn-modal ult-responsive btn-primary btn-modal-md overlay-show modal-bio-button  ult-align-left btn-id-6a0b05facca019-38077669\" data-overlay-class=\"overlay-cornerbottomleft\">BIOGRAFIA<\/button><\/div>\n<div class=\"ult-overlay content-6a0b05facca019-38077669 modal-bio\" data-class=\"content-6a0b05facca019-38077669\" id=\"button-click-overlay\" style=\"background:rgba(0,56,130,0.95); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-5203\" class=\"ult_modal-content ult-hide\" style=\"border-style:outset;border-width:0px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-5203 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-html\" style=\"background:rgba(255,255,255,0.01);color:#adc5e4;\">\n\t\t\t<strong><img loading=\"lazy\" class=\"bio-doc alignnone wp-image-1864\" src=\"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-content\/uploads\/2016\/01\/document-256.png\" alt=\"\" width=\"23\" height=\"23\" srcset=\"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-content\/uploads\/2016\/01\/document-256.png 208w, https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-content\/uploads\/2016\/01\/document-256-85x85.png 85w\" sizes=\"(max-width: 23px) 100vw, 23px\" \/>\u00a0 \u00a0Resum:\u00a0<\/strong>Raphael Emine presenta les seves obres a trav\u00e9s d\u2019instal\u00b7lacions multim\u00e8dia on conviuen v\u00eddeo i escultura. Aquestes dues pr\u00e0ctiques li permeten obrir el camp de reflexi\u00f3 i an\u00e0lisi del proc\u00e9s. <em>E\u00e9srevni\u00a0er\u00e8ivir\u00a0al <\/em>(El riu a l\u2019inrev\u00e9s) \u00e9s una videoinstal\u00b7laci\u00f3 on investiga el curs i la funci\u00f3 de l\u2019aigua per revelar-nos el misticisme, les creences populars i veure com aquestes creences ens han arribat fins avui, en una met\u00e0fora en qu\u00e8 l\u2019aigua va del passat al present.<\/p>\n<p><strong><strong><img loading=\"lazy\" class=\"bio-key alignnone wp-image-1856\" src=\"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-content\/uploads\/2016\/01\/keywords-blanc-300x283.png\" alt=\"\" width=\"29\" height=\"27\" srcset=\"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-content\/uploads\/2016\/01\/keywords-blanc-300x283.png 300w, https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-content\/uploads\/2016\/01\/keywords-blanc.png 538w\" sizes=\"(max-width: 29px) 100vw, 29px\" \/>\u00a0\u00a0Paraules clau<\/strong>:<\/strong> aigua, energies, radioest\u00e8sia, saurins, creences populars, culte a l\u2019aigua.<strong><br \/>\n<\/strong><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Raphael Emine <\/strong><\/p>\n<p>Les Sables d\u2019Olonne, Fran\u00e7a. 1986.\u00a0Viu i treballa a Par\u00eds.<\/p>\n<p>Les seves obres es presenten en instal\u00b7lacions multim\u00e8dia on conviuen v\u00eddeo i escultura. Aquestes dues pr\u00e0ctiques li permeten obrir el camp de reflexi\u00f3 i an\u00e0lisi dels processos art\u00edstics que du a terme. La participaci\u00f3 del p\u00fablic \u00e9s una part important en el conjunt dels seus projectes i acaba modelant el resultat final de les obres. Li interessa investigar el territori des de la cultura popular a partir d\u2019elements com la imatgeria popular, les creences o els tab\u00fas, que confereixen la seva personalitat. Se serveix de la pr\u00e0ctica d\u2019arxiu per documentar tots els processos art\u00edstics que formaran l\u2019obra i agafaran una dimensi\u00f3 conceptual. S\u2019interessa per les pr\u00e0ctiques tradicionals que es conserven en un context cultural i geogr\u00e0fic concret per tal d\u2019indagar en el territori. Reflexiona i revela les idiosincr\u00e0sies dels indrets a trav\u00e9s d\u2019elements que els caracteritzen i que els fan \u00fanics.<\/p>\n<p>Llicenciat en Belles Arts per l\u2019Escola National Superior d\u2019Art Villa Arson, Ni\u00e7a, Fran\u00e7a (2014), i Diploma Nacional d\u2019Arts Pl\u00e0stiques, DNAP, amb honors (2011 i 2014).<\/p>\n<p>La seva obra s\u2019ha exposat en gran mesura a Fran\u00e7a, on resideix. Ha exposat a l\u2019Espai Ferri\u00e9 de Draguignan (2012) i a Ni\u00e7a a Galeria Lafayette Cap 3000 (2015), a la Galeria de la Marine (2014, 2013), al Centre Nacional d\u2019Art Contemporani de la Villa Arson (2013), a la piscina Jean M\u00e9decin (2013), a la Fundaci\u00f3 Ren\u00e9 d\u2019Azur (2012) i al Salon de l&#8217;\u00c9cole Normale Sup\u00e9rieure d\u2019Art (2011). Tamb\u00e9 ha exposat al Centre de la Cer\u00e0mica KERAMIS, de Morlanwelz, B\u00e8lgica (2015).<\/p>\n<p><em><strong>E\u00e9srevni\u00a0er\u00e8ivir\u00a0al <\/strong><\/em><strong>(El riu a l\u2019inrev\u00e9s)<\/strong><strong>, 2015<\/strong><\/p>\n<p>Desenvolupa el seu projecte dins el marc de l\u2019ETAC i ho fa en una primera fase a Addaya, Centre d\u2019Art Contemporani, Alar\u00f3, Mallorca, i despr\u00e9s al Museu de l\u2019Empord\u00e0 a Figueres.<\/p>\n<p>En un estudi de car\u00e0cter antropol\u00f2gic, crea una video instal\u00b7laci\u00f3 que segueix un projecte iniciat el 2004 a l\u2019illa d\u2019Eivissa. Investiga el curs i la funci\u00f3 de l\u2019aigua a l\u2019illa per revelar-nos el seu costat m\u00edstic i veure com ens han arribat aquestes creences. Ens representa metaf\u00f2ricament com l\u2019aigua es mou del passat al present.<\/p>\n<p>Recorre el riu a trav\u00e9s de captacions sonores de dues fonts d\u2019Alar\u00f3 i d\u2019imatges en el v\u00eddeo de les aig\u00fces. Busca la relaci\u00f3 entre les creences, la subjectivitat dels edificis i els discursos culturals. A l\u2019illa hi ha encara present un culte a l\u2019aigua, element venerat, valorat i s\u00edmbol de fecunditat. L\u2019estudi d\u2019aquesta singularitat li permet valorar la relaci\u00f3 de la comunitat amb aquest element. El resultat d\u2019aquest treball combina instal\u00b7laci\u00f3 i v\u00eddeo incidint sobre els usos de l\u2019aigua, amb l\u2019ajuda dels saurins (els localitzadors d\u2019aigua) i la radioest\u00e8sia (activitat per trobar xarxes d\u2019energies).\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\" \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div><div id=\"modal-trg-txt-wrap-9540\" class=\"ult-modal-input-wrapper ult-adjust-bottom-margin    \" data-keypress-control=\"keypress-control-enable\" data-overlay-control=\"overlay-control-enable\"><button  data-ultimate-target='#modal-trg-txt-wrap-9540 .btn-modal'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"background:rgba(255,255,255,0.01);border-color:rgba(255,255,255,0.01);color:#003882; \" data-class-id=\"content-6a0b05facca675-68167653\" class=\"btn-modal ult-responsive btn-primary btn-modal-md overlay-show modal-entrevista-button  ult-align-left btn-id-6a0b05facca675-68167653\" data-overlay-class=\"overlay-cornerbottomleft\">ENTREVISTA<\/button><\/div>\n<div class=\"ult-overlay content-6a0b05facca675-68167653 modal-entrevista\" data-class=\"content-6a0b05facca675-68167653\" id=\"button-click-overlay\" style=\"background:rgba(0,0,0,0.95); display:none;\">\n\t<div class=\"ult_modal ult-fade ult-medium\">\n\t\t<div id=\"ult-modal-wrap-2287\" class=\"ult_modal-content ult-hide\" style=\"border-style:outset;border-width:0px;border-radius:0px;border-color:#333333;\">\n\t\t\t<div  data-ultimate-target='#ult-modal-wrap-2287 .ult_modal-body'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"ult_modal-body ult-responsive ult-youtube\" style=\"background:rgba(255,255,255,0.01);color:#adc5e4;\">\n\t\t\t<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/pbsSPte1Vbk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div>\n\t<div class=\"ult-overlay-close top-right\" style=\" \"><div class=\"ult-overlay-close-inside\">Close<\/div><\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row el_id=&#8221;artistes-pag&#8221;][vc_column offset=&#8221;vc_col-lg-5 vc_col-md-5 vc_col-xs-12&#8243;][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; google_fonts=&#8221;font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:600%20bold%20regular%3A600%3Anormal&#8221; el_class=&#8221;titols-artistes&#8221;]<div class=\"ult-spacer spacer-6a0b05faccaa0\" data-id=\"6a0b05faccaa0\" data-height=\"20\" data-height-mobile=\"5\" data-height-tab=\"5\" data-height-tab-portrait=\"5\" data-height-mobile-landscape=\"5\" style=\"clear:both;display:block;\"><\/div>[vc_column_text el_class=&#8221;text-emine&#8221;]<em>Les eaux \u00e9lectriques<\/em> est une m\u00e9taphore de la recherche qui m\u00eale diff\u00e9rents mat\u00e9riaux r\u00e9cup\u00e9r\u00e9s pendant mes r\u00e9sidences \u00e0 Alaro et Figueras. En effet, mes r\u00e9sidences ont \u00e9t\u00e9 l\u2019objet d\u2019une d\u00e9marche exp\u00e9rimentale, sans programme pr\u00e9d\u00e9fini. Je me suis laiss\u00e9 aller \u00e0 un processus libre dont les \u00e9tapes s\u2019articuleraient autour des rencontres et des d\u00e9couvertes durant ce temps pass\u00e9 en territoires inconnus.<\/p>\n<p>C\u2019est une pens\u00e9e de la technique qui m\u2019a amen\u00e9 \u00e0 croiser dans ce projet les m\u00e9thodes d\u2019investigation. J\u2019utilise l\u2019eau comme sujet et fil conducteur de recherches \u00e9parses. Du sourcier \u00e0 l\u2019ing\u00e9nieur, j\u2019ai collect\u00e9 des donn\u00e9es et des mat\u00e9riaux afin d\u2019exp\u00e9rimenter la rencontre entre les croyances anciennes et la technique contemporaine. Du spirituel au technique, c\u2019est une remise en question du processus cr\u00e9atif qui s\u2019est d\u00e9velopp\u00e9e.<\/p>\n<p>Plusieurs intervenants ont \u00e9t\u00e9 sollicit\u00e9s comme des sourciers et des techniciens de l\u2019eau. Les sourciers, ou radiesth\u00e9sistes, s\u2019appuient sur une pens\u00e9e fond\u00e9e sur les \u00e9nergies telluriques qui traverseraient toutes mati\u00e8res et influeraient sur les \u00eatres vivants. Espaces, objets, architectures sont analys\u00e9s selon des proc\u00e9d\u00e9s diff\u00e9rents d\u2019un sp\u00e9cialiste \u00e0 l\u2019autre, laissant \u00e0 chacun l\u2019opportunit\u00e9 subjective de redessiner son environnement. L\u2019intervention fr\u00e9quente de sourciers et radiesth\u00e9sistes dans ce projet vise \u00e0 interroger les protocoles du regard, mettant en jeu le go\u00fbt et la croyance comme facteurs subjectifs du jugement. Peut-on voir sans croire\u00a0?<\/p>\n<p>Ainsi \u00e0 Alaro, j\u2019ai demand\u00e9 \u00e0 un sourcier local de signaler les \u00ab\u00a0courants magn\u00e9tiques\u00a0\u00bb qui traverseraient l\u2019atelier du centre d\u2019art et influencerait les \u00eatres vivants y s\u00e9journant. Le r\u00e9sultat fut une proposition in situ, <em>Supr\u00e9matisme tellurique,<\/em> dont le graphisme \u00e9voque les avant-gardes du si\u00e8cle dernier. L\u2019exp\u00e9rience interroge avec humour les fondements de l\u2019esth\u00e9tique moderniste.<\/p>\n<p>Exploration de l\u2019\u00eele de Majorque selon ses zones \u00ab\u00a0magn\u00e9tiques\u00a0\u00bb et analyse des \u00e9nergies \u00e9mises par une s\u00e9rie de peintures figuratives en compagnie de ce sourcier majorquin, travers\u00e9e de Figueras par son cours d\u2019eau souterrain, recherche de la \u00ab\u00a0position originale\u00a0\u00bb d\u2019une pierre charri\u00e9e par ce m\u00eame cours d\u2019eau propos\u00e9e par un second sourcier, visite d\u2019une ancienne centrale hydro-\u00e9lectrique \u00e0 G\u00e9rone et r\u00e9cup\u00e9ration des plans 3D d\u2019une centrale de dessalement \u00e0 osmose invers\u00e9e , autant d\u2019exp\u00e9riences qui ont nourri ce projet.<\/p>\n<p>J\u2019ai ensuite puis\u00e9 dans cette mati\u00e8re sonore et picturale r\u00e9colt\u00e9e pour monter <em>Les eaux \u00e9lectriques<\/em>, forme contemplative qui sugg\u00e8re un croisement entre le film scientifique et le souvenir de voyage.[\/vc_column_text][\/vc_column][vc_column offset=&#8221;vc_col-md-7 vc_col-xs-12&#8243;]<div class=\"ult-spacer spacer-6a0b05faccabb\" data-id=\"6a0b05faccabb\" data-height=\"100\" data-height-mobile=\"15\" data-height-tab=\"15\" data-height-tab-portrait=\"15\" data-height-mobile-landscape=\"15\" style=\"clear:both;display:block;\"><\/div>[vc_single_image image=&#8221;1030&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221; el_class=&#8221;image-emine&#8221;][\/vc_column][\/vc_row][vc_row el_id=&#8221;artistes-pag&#8221;][vc_column]<div class=\"ult-spacer spacer-6a0b05faccacb\" data-id=\"6a0b05faccacb\" data-height=\"20\" data-height-mobile=\"10\" data-height-tab=\"5\" data-height-tab-portrait=\"5\" data-height-mobile-landscape=\"5\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row el_id=&#8221;artistes-pag&#8221;][vc_column][vc_media_grid element_width=&#8221;3&#8243; gap=&#8221;20&#8243; grid_id=&#8221;vc_gid:1458590001399-54b32ad9-b361-7&#8243; include=&#8221;1309,1310,1311,1312&#8243;][\/vc_column][\/vc_row][vc_row el_id=&#8221;artistes-pag&#8221;][vc_column]<div class=\"ult-spacer spacer-6a0b05faccad8\" data-id=\"6a0b05faccad8\" data-height=\"20\" data-height-mobile=\"10\" data-height-tab=\"5\" data-height-tab-portrait=\"5\" data-height-mobile-landscape=\"5\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row el_id=&#8221;artistes-pag&#8221;][vc_column offset=&#8221;vc_col-lg-7 vc_col-md-7 vc_col-xs-12&#8243;][vc_video link=&#8221;https:\/\/vimeo.com\/142196909&#8243;]<div class=\"ult-spacer spacer-6a0b05faccae6\" data-id=\"6a0b05faccae6\" data-height=\"0\" data-height-mobile=\"\" data-height-tab=\"5\" data-height-tab-portrait=\"5\" data-height-mobile-landscape=\"5\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column offset=&#8221;vc_col-lg-5 vc_col-md-5 vc_col-xs-12&#8243;][vc_column_text el_class=&#8221;text-destacat-emine&#8221;]\n<h4><em>\u00ab\u00a0En ce sens, l&#8217;\u00e9cho de l&#8217;eau en photographie \u00e9voque sa pr\u00e9histoire. Je crois que cette image \u00ab\u00a0pr\u00e9historique\u00a0\u00bb de la photographie \u2013 image sp\u00e9culative selon laquelle le dispositif lui-m\u00eame peut appara\u00eetre encore pris dans des mondes min\u00e9ral et v\u00e9g\u00e9tal \u2013 peut nous aider \u00e0 comprendre ce qu&#8217;il y a de \u00ab\u00a0sec\u00a0\u00bb dans la photographie. Cette s\u00e9cheresse, je l&#8217;identifie avec l&#8217;optique et la m\u00e9canique (\u2026) coup\u00e9e du sentiment d&#8217;immersion dans l&#8217;incalculable que j&#8217;associe \u00e0 \u00ab\u00a0l&#8217;intelligence liquide\u00a0\u00bb. (\u2026) Il devient clair maintenant que les syst\u00e8mes d&#8217;information \u00e9lectroniques et digitaux, produits par la vid\u00e9o et les ordinateurs, vont remplacer la pellicule photographique (\u2026). Pour moi, ce n&#8217;est ni bon ni n\u00e9cessairement mauvais, mais si un tel ph\u00e9nom\u00e8ne se produit, il y aura un nouveau d\u00e9placement de l&#8217;eau dans la photographie. Elle va dispara\u00eetre du processus imm\u00e9diat de production, se retirer sur l&#8217;horizon plus lointain de la cr\u00e9ation de l&#8217;\u00e9lectricit\u00e9, et, dans ce mouvement, la conscience historique du m\u00e9dium va \u00eatre transform\u00e9e.\u00a0\u00bb<\/em><\/h4>\n<h4>Jeff Wall, \u00ab\u00a0Photographie et intelligence liquide\u00a0\u00bb, 1989<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_id=&#8221;artistes-pag&#8221;][vc_column]<div class=\"ult-spacer spacer-6a0b05faccaf3\" data-id=\"6a0b05faccaf3\" data-height=\"20\" data-height-mobile=\"20\" data-height-tab=\"20\" data-height-tab-portrait=\"20\" data-height-mobile-landscape=\"20\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_id=&#8221;artistes-pag&#8221;][vc_column]<div class=\"ult-spacer spacer-6a0b05faccafe\" data-id=\"6a0b05faccafe\" data-height=\"50\" data-height-mobile=\"10\" data-height-tab=\"10\" data-height-tab-portrait=\"10\" data-height-mobile-landscape=\"10\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>Raphael Emine presenta les seves obres a trav\u00e9s d\u2019instal\u00b7lacions multim\u00e8dia on conviuen v\u00eddeo i escultura. Aquestes dues pr\u00e0ctiques li permeten obrir el camp de reflexi\u00f3 i an\u00e0lisi del proc\u00e9s. E\u00e9srevni er\u00e8ivir al (El riu a l\u2019inrev\u00e9s) \u00e9s una videoinstal\u00b7laci\u00f3 on investiga el curs i la funci\u00f3 de l\u2019aigua per revelar-nos el misticisme, les creences populars i veure com aquestes creences ens han arribat fins avui, en una met\u00e0fora en qu\u00e8 l\u2019aigua va del passat al present. [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":1311,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[49],"tags":[224,135,139,225,140,226,227,136,228,137,138],"_links":{"self":[{"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/posts\/1899"}],"collection":[{"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/comments?post=1899"}],"version-history":[{"count":34,"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/posts\/1899\/revisions"}],"predecessor-version":[{"id":3078,"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/posts\/1899\/revisions\/3078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/media\/1311"}],"wp:attachment":[{"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/media?parent=1899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/categories?post=1899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gr-cultural.com\/catalogue.etac\/wp-json\/wp\/v2\/tags?post=1899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}